Fiction Critique
Why would you get a fiction critique?
There are a number of reasons. One is because because of the fact that as you’re writing your novel it’s very
difficult to be objective about its quality. How do you know if it’s any good? Are you wasting months of your life
on something that’s just never going to work? Do you have any basic talent at all? Or, even if you know you have
talent, how do you know that you’re heading in the right direction with your novel?
Another reason might be that you realise that publishers nowadays expect manuscripts to be almost print-ready.
Yes, they'll have their own editors to work with you once a manuscript is accepted, but this is more about
fine-tuning than anything else. They're receiving so many submissions that they don't need to take a rough edit and
bring it on - they'll wait for the polished manuscript. Make sure it's yours - and getting a fiction critique is
one important element of that.
Or maybe you have received a rejection letter from an agent or publisher,
and you don’t know why they didn’t like it.
You need feedback, which is what a fiction critique is really.
There are four different ways of getting feedback.
- The first is that you ask your family and friends to read your work and tell you what they think. I really
don’t recommend this option. With the best will in the world, family and friends aren’t experts. They might say
they didn’t like it, but not be able to pinpoint why or provide a solution to its faults. Or they most likely
will say it’s great, but in that case, are you any better off? There’s always the fear that they might be just
saying that out of love and respect for you.

- The second option is that you join a writers’ group. The problem with this is that it can be the blind
leading the blind. It mightn’t be, of course. You can end up with an excellent writers’ group which is very
supportive and knowledgeable. But just how qualified or expert are the other members of the writers’ group? Are
they published themselves? Also there’s a big time commitment for this - you have to critique their work too.
Is this time that would be better off spent writing? (To be fair, you can learn somewhat from critiquing
others’ work, so it’s not a total waste of time.)
- The third option on the hierarchy of effectiveness is that you avail of a fiction critique service. This is
a very powerful option, and deserves individual mention, so I’ll talk more about that below.
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The fourth option is the best one in many ways, and that’s by asking the industry whether your novel is any
good, and letting it decide, by finishing your novel and submitting it to agents and publishers. The
publishing industry is the final arbiter anyway - it’s the one whose opinion ultimately matters.
Okay, it’s actually the readers’ opinions which are the final final important thing. But
to reach them you have to go through the agents and publishers, unless you self-publish. And if you self-publish then it’s even more important that
you use a fiction critique service as I explain on the page on self-publishing.
The disadvantage of this option is that you’re back to the original dilemma. You have to write the whole
novel before you can get any feedback, and you need to approach agents and publishers with your absolute
best work, but you don’t know if it’s good enough.
Advantages of a critique serviceAll four options are valid, but on balance I
think that availing of a fiction critique service is a very effective choice. A professional critique gives you the
feedback you need without having to wait for the whole novel to be written, and without shooting your bolt too
early with the publishing industry.
As a best-selling author of three novels and creative writing teacher I
offer you my comprehensive and powerful critique service. I invite you to follow the link to read up on what I
can offer, and also to read what others are saying about the service.
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